Friday, January 25, 2008

Media Coverage for PORGY AND BESS...

ZACH Theatre's production of PORGY AND BESS opens this weekend and has already drawn some amazing media coverage...

Check out these links to stories and recorded interviews about the production:

Aielli Unleashed show on KUT:
Part I
Part II

The Austin Chronicle coverage by Graham Reynolds:
Article I
Article II
Article III
Article IV

Austin American Statesman XL Cover Story

AND an Austinist entry about the production

Tickets for this dynamic production are now on sale.
Call 476-0594 xt. 1 and make your reservations now!
Limited two week run - January 25 - February 3, 2008
A ZACH Theatre production at the All New Austin Music Hall.

Sneak Peek #4... Production Photos

The Gershwins' Porgy and Bess OPENS this weekend!


David Jennings as Porgy
and Marva Hicks as Bess
















Cedric Neal as Sportin' Life
and Janis Stinson as Maria










(Left to Right) Justin Waller as Scipio, Donald Collier as Nelson and Quincy Kuykendall as Jim.







To see more photos go to www.zachscott.com

Tickets for this dynamic production are now on sale.
Call 476-0594 xt. 1 and make your reservations now!
Limited two week run - January 25 - February 3, 2008
A ZACH Theatre production at the All New Austin Music Hall.

Wednesday, January 16, 2008

Sneak Peek #3... Background for ZACH's Production


Notes from Director Dave Steakley:

THE NEA GRANT
Two years ago Michele Baylor, ZACH’s Development Director, came to me with a new grant initiative from the National Endowment for the Arts called American Masterpieces. The NEA was going to award ten grants to reacquaint Americans with the nation’s greatest artistic works in musical theater from the past and provide a younger generation with an introduction to the rich heritage of the art form. Michele wanted to know if I had any projects in mind that met the criteria and without hesitation I said Porgy & Bess. Katrina happened a couple of weeks before we wrote the grant and it was heavily on my mind as I wrote my Artistic Statement because in Act II of the opera there is a huge hurricane that occurs which has devastating consequences on the economically poor Gulf Coast residents. At that moment many New Orleans residents and musicians were finding their way to Austin for refuge, and suddenly our approach to Gershwin’s masterwork had a context for our community.


THE CONTEXT FOR OUR PRODUCTION
We are one of ten theatres nationally that were awarded a grant by the NEA. Our production will remain in the 1930’s period in which it was originally set, and we are being inspired by the Preservation Hall Jazz Band of New Orleans, to draw from the rich jazz musical heritage of The Big Easy. Consequently our orchestra will be comprised of piano, bass, drums, violin, guitar, banjo, tenor sax, baritone sax, trombone, trumpet, flute and clarinet with the intention of orienting our production toward an American jazz exploration of Gershwin’s masterwork. When the hurricane strikes at the end of Act II, the scene will be performed by our actors from rooftops as the levees break and our swampy bayou is flooded. Imagine what this will do to the mourning felt in Bess’ reprise of “Summertime” sung to Clara’s orphaned infant in this context of the flood.

I envision ZACH Theatre as the meeting tent where a diverse, energized community of Central Texans has investment, ownership and representation -- on stage, behind the scenes and in the audience. I believe theatre offers an avenue for self-examination, an arena in which we might be challenged to understand a little better not just our own lives, but the world in which we live. We purposefully make art that creates the opportunity for meaningful conversations on topics that have resonance in our community. At ZACH we love learning from other voices and other perspectives because they enrich our imagination and our experience in ways we could not imagine. We see theatre as the place where all liberties are possible for all people. Porgy and Bess provides an opportunity for us to shed some light again on our brothers and sisters who are still finding life in a partially recovered New Orleans to be challenging.

Tickets for this dynamic production are now on sale.
Call 476-0594 xt. 1 and make your reservations now!
Limited two week run - January 25 - February 3, 2008
A ZACH Theatre production at the All New Austin Music Hall.

Tuesday, January 8, 2008

Sneak Peek #2... Meet the Cast of Porgy and Bess...

THE 'LOW DOWN' ON ZACH’S SPECTACULAR CAST

Notes from Director, Dave Steakley

DAVID JENNINGS (PORGY) I saw David this summer in Atlanta performing the role of Curtis opposite Jennifer Holliday in her final return as Effie in Dreamgirls. It’s not easy holding your own against Jennifer in that role, but David was truly spectacular, and when he began singing the introduction to Steppin’ To The Bad Side, I had serious goosebumps. He is what you’d call a lady killer, as the shouts from the ladies confirmed. Oftentimes Porgy is played as a pathetic beggar, and Bess ends up with him because he is her only option when everyone else on Catfish Row turns their back on her. It is important to me that there be a vitality to Porgy and that there be a genuine sexual attraction between Porgy and Bess. I think Porgy’s sex appeal has been overshadowed by his physical disability for most people, but Bess sees past this and finds acceptance and true love like she has never experienced. Recently David also starred in a show called The Genius of Ray Charles in London’s West End and he sang Ray Charles’ version of Let The Good Times Roll for me in his audition --this really sealed the deal for me in terms of the voice I was looking for our Porgy. On Broadway, David played Coalhouse Walker, Jr., in Ragtime, John in Miss Saigon, The Duke in Play On! and was in Once Upon a Mattress with Sarah Jessica Parker. He also toured with Larry Gatlin in The Civil War.

MARVA HICKS (BESS) I’m so excited that Marva is playing Bess! She gave one of the most spine-tingling auditions I have ever experienced in 17 years at ZACH and I can’t think of anyone else I’d cast for this role having seen what she brings to it. She has a bluesy, soulful, scorching quality that will bring a depth of earthiness, worldliness and depth of feeling that will make Bess so fiery and vulnerable. Most recently Marva played the Radio in Caroline, or Change and Rafiki in The Lion King on Broadway. When Marva first came to New York she was cast as Lena Horne’s backup vocalist in her Broadway show The Lady and Her Music for 3 years. Stevie Wonder discovered Marva’s talents and enlisted her as his backup singer for many years. Marva has also backed up multiple world tours for artists like Michael Jackson, Whitney Houston, and James Ingram. She signed with Polydor in the late '80s and her debut LP, Marva Hicks was released in 1991. Star Trek fans will know Marva as the Vulcan T'Pel, Tuvok's wife. Prior to Star Trek, she had several guest spots on Sister, Sister, Mad About You, and played Principal Jacara for the 1997-1998 season of One Life to Live.

DAVID ST. LOUIS (CROWN) I saw David a few years ago in a show called Harlem Song at the Apollo Theatre that was created and directed by The Public Theatre’s George Wolfe. The musical was a historical retrospective of all the great acts that had ever played the Apollo and David was the male lead which meant he had to play a very wide variety of roles and he excelled at all of them. David possesses one of my favorite voices of all time – he sounds like the great soul singers of the 1960’s. He has such a deep resonant voice full of grit and smoke and a life hard won… it’s like Wilson Pickett, Sam and Dave and Lou Rawls all rolled into one for me. On Broadway, David has starred in Rent, Jesus Christ Superstar and The Scarlet Pimpernel, and also performed as a backup singer for Randy Travis and Stevie Wonder.


CEDRIC NEAL (SPORTIN’ LIFE) For a couple of years now I have been hearing from many of my Dallas/Ft. Worth colleagues about an actor they keep telling me belongs on stage at ZACH. I finally got to meet Cedric and am so happy he is playing Sportin’ Life in our production. He is perfection from my point of view. At our annual season preview party he brought down the house with It Ain’t Necessarily So – vocally he is a show stopper, he is a terrific dancer, and he connects so personally to each audience member – exactly the qualities we are used to celebrating at ZACH in our favorite performers!


From Austin, ZACH audiences can look forward to: Janis Stinson as Maria (JC Superstar, Crowns, Jelly’s Last Jam); Judy Arnold as Serena (Rockin’ Christmas Party, Crowns); Quincy Kuykendall (Rockin’ Christmas Party, Hair); Forest Van Dyke (JC Superstar, Rockin’ Christmas Party); Billy Harden (The Exonerated, Streetcar Named Desire); Roderick Sanford (Crowns, Dreamgirls), Dorothy Clark (The Exonerated, Crowns), Azia Sims and Dooney Waller (High School Musical), Deborah “Peaches” Duncan (Crowns) Sarah Jones (Rocky Horror and Crowns), Courtney Rutherford Sanchez (Gospel At Colonus, Dreamgirls).

New to ZACH are Sacha Crosby who plays Clara (Rotel and the Hot Tomatoes), Austin gospel recording artists George Powell and Kenneth Brown, Donald Collier, Dion Arnold, Neena Coleman, Morgan Gale Beckford, Candace Bellamy, Thais Bass Moore, and Kenny Smith.

Tickets for this amazing production are now on sale!
Call 476-0594 xt. 1 and make your reservations now!
Limited two week run - January 25 - February 3, 2008
A ZACH Theatre production at the All New Austin Music Hall.

Friday, January 4, 2008

Sneak Peek into ZACH's production of PORGY AND BESS...

Happy New Year ZACH Folks!
We're super excited about our upcoming production of
The Gershwins' PORGY AND BESS.

This post (and subsequent postings) will give you a glimpse into the production as it comes to life.


Notes from the director, Dave Steakley:
As I began to imagine ZACH’s Diamond Anniversary season, I hoped that we would, in part, look back to the time when Austin Civic Theatre – the precursor to ZACH - was being created in the height of the Great Depression, and discover what plays and musicals were also making their debut in the mid to late 1930’s. My desire in looking back at this historical moment in time is to create a conversation that has relevance for today. As I researched what shows came to life on Broadway in the 30’s – one title immediately jumped off the page because it has been on my wish list for us to produce for over 10 years – the Gershwin masterpiece Porgy and Bess.

Ten years ago we produced Dreamgirls to great critical and audience acclaim at ZACH and then the following season at the Paramount in an expanded version. I had a conversation during that time with actor Joe York in which he said, “You really ought to follow this up with Porgy and Bess.” It was one of Joe’s favorite shows and it planted a seed in me. My familiarity with the show, like many people, was limited to the various versions of “Summertime” which have been sung by countless jazz and popular musical artists. Joe’s comments sent me digging, and being a soul music fan I was delighted to discover that Ray Charles and Cleo Laine had made a wonderful recording of the music from the opera in their style. It became for me a wonderful and perfect introduction to this beautiful score. Digging further I discovered Nina Simone’s moving recordings of a couple of the songs, and the wonderful recording made by Ella Fitzgerald and Louis Armstrong. These recordings became my window into this terrific music by George and Ira Gershwin. My dream was that we would create a version of Porgy and Bess that was inspired by these legendary recordings I have grown to love so much.

ZACH’s 75th Anniversary opens with Porgy and Bess at the brand spanking new Austin Music Hall. We chose this venue because it will primarily host Austin’s live music concerts, and one of our goals is to find dynamic ways which bridge the experience of Austin’s live music scene to our theatre. There is a synergistic vibrancy in both which can find a point of common interest in ZACH’s production of Porgy and Bess.
Tickets for this dynamic production are now on sale.
Call 476-0594 xt. 1 and make your reservations now!
Limited two week run - January 25 - February 3, 2008
A ZACH Theatre production at the All New Austin Music Hall.